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78 results
  • Queen's College and High Street, Oxford: panoramic view. Reproduction of a drawing by V.H. Bailey.
  • St. John's College, St. Giles and St. Giles Church, Oxford: panoramic view. Line engraving by M.A. Rooker after himself, 1779.
  • St. Mary's Church, Oxford: porch showing architectural details. Line engraving by S. Bradshaw after S. Read.
  • Merton College, Oxford: a marriage ceremony in the chapel. Coloured aquatint by J. Bluck, 1813, after A.C. Pugin.
  • William Wyndham Grenville, Baron Grenville, dispensing Roman Catholic tracts from a balloon to the people of Oxford; representing his installation as Chancellor of Oxford University. Coloured etching by J. Gillray, 1810.
  • William Buckland. Mezzotint by S. Cousins, 1833, after T. Phillips.
  • McGill University: McIntyre Medical Sciences Building.
  • Two men, one cutting his finger-nails with a pair of scissors. Oil painting.
  • Two men, one cutting his finger-nails with a pair of scissors. Oil painting.
  • A toothdrawer on horseback in an Italian square. Oil painting attributed to Michelangelo Cerquozzi, 16--.
  • A toothdrawer on horseback in an Italian square. Oil painting attributed to Michelangelo Cerquozzi, 16--.
  • Roger Bacon: the tower known as Roger Bacon's study, Oxford. Coloured line engraving by M.A. Rooker, ca. 1780.
  • The emblematic figure of a man representing secularisation, technical innovation, educational reforms and liberal politics in the United Kingdom. Lithograph, ca. 1830.
  • A verger's dream: Saints Cosmas and Damian performing a miraculous cure by transplantation of a leg. Oil painting attributed to the Master of Los Balbases, ca. 1495.
  • Brighton College, Brighton. Wood engraving, 1849.
  • A half-naked youth offers food to a snake coiled round a tree trunk. Engraving by C.-C. Bervic after J.-F.-L. Mérimée, 1798.
  • A young man holding a rod with a shaped end (sceptre?) and a round object. Reverse glass painting by a Qajar artist, 182-.
  • Elephants drinking in a river in Sri Lanka, with men in turbans seated upon their backs. Watercolour by A. Nicholl, 18--.